<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-UGSKHQNB</identifier><date>2011</date><creator>Kovač, Rok</creator><relation>documents/doc/U/URN_NBN_SI_doc-UGSKHQNB_001.htm</relation><relation>documents/doc/U/URN_NBN_SI_doc-UGSKHQNB_001.pdf</relation><relation>documents/doc/U/URN_NBN_SI_doc-UGSKHQNB_001.txt</relation><format format_type="issue">243</format><format format_type="volume">39</format><format format_type="type">article</format><format format_type="extent">str. 168-180</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">261963264</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-UGSKHQNB</identifier><language>slv</language><publisher>Študentska založba</publisher><source>Časopis za kritiko znanosti</source><rights>InC</rights><subject language_type_id="slv">Bosna in Hercegovina</subject><subject language_type_id="eng">Bosnia and Herzegovina</subject><subject language_type_id="slv">hiphop</subject><subject language_type_id="slv">identiteta</subject><subject language_type_id="slv">nacionalizem</subject><subject language_type_id="eng">nationalism</subject><subject language_type_id="slv">popularna kultura</subject><subject language_type_id="slv">subverzivnost</subject><title>Hip-hop kot glasba upora v postdaytonski BiH</title><title>kratek potopis neke glasbene zvrsti</title></Record>