<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-UEOWKLYJ</identifier><date>2007</date><creator>Flores, Patrick D.</creator><relation>documents/doc/U/URN_NBN_SI_doc-UEOWKLYJ_001.htm</relation><relation>documents/doc/U/URN_NBN_SI_doc-UEOWKLYJ_001.pdf</relation><relation>documents/doc/U/URN_NBN_SI_doc-UEOWKLYJ_001.txt</relation><format format_type="main">17 strani</format><format format_type="issue">2</format><format format_type="volume">28</format><format format_type="type">article</format><format format_type="extent">str. 235-251</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">26700077</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-UEOWKLYJ</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="eng">aesthetics</subject><subject language_type_id="eng">art of painting</subject><subject language_type_id="slv">estetika</subject><subject language_type_id="slv">Filipini</subject><subject language_type_id="slv">postkolonializem</subject><subject language_type_id="slv">slikarstvo</subject><title>"Nature intervenes in strokes"</title><title>sensing the end of the colony and the origin of the aesthetic</title></Record>