<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-UBAOUQJJ</identifier><date>2014</date><creator>Narland, Torgeir Uberg</creator><relation>documents/doc/U/URN_NBN_SI_doc-UBAOUQJJ_001.pdf</relation><relation>documents/doc/U/URN_NBN_SI_doc-UBAOUQJJ_001.txt</relation><format format_type="issue">1</format><format format_type="volume">21</format><format format_type="type">article</format><format format_type="extent">str. 37-52, 102</format><identifier identifier_type="ISSN">1318-3222</identifier><identifier identifier_type="COBISSID">32688477</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-UBAOUQJJ</identifier><language>eng</language><publisher>Evropski inštitut za komuniciranje in kulturo</publisher><source>Javnost (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">javna sfera</subject><subject language_type_id="slv">javni prostor</subject><subject language_type_id="slv">Norveška</subject><subject language_type_id="slv">popularna glasba</subject><subject language_type_id="slv">popularna kultura</subject><title>Hip Hop and the public sphere</title><title>political commitment and communicative practices on the Norwegian Hip Hop scene</title></Record>