<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-TXJ59XT3</identifier><date>1980</date><creator>Barthes, Roland</creator><relation>documents/doc/T/URN_NBN_SI_doc-TXJ59XT3_001.pdf</relation><relation>documents/doc/T/URN_NBN_SI_doc-TXJ59XT3_001.txt</relation><format format_type="volume">17</format><format format_type="issue">9/10</format><format format_type="type">article</format><format format_type="extent">str. 49-53</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID_HOST">1309019</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-TXJ59XT3</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">Eisenstein, Sergej Mihajlovič</subject><subject language_type_id="slv">film</subject><subject language_type_id="slv">fotogram</subject><subject language_type_id="slv">semiologija</subject><subject language_type_id="slv">teorija filma</subject><title>Tretji smisel</title><title>notice ob raziskovanju nekaterih Ejzenštejnovih fotogramov</title></Record>