202 KB38 KB200720252025Virant, Špelaletnik:19številka:2str. 293-305DOI:10.4312/ars.19.2.293-305ISSN:1854-9632COBISSID_HOST:266944771URN:URN:NBN:SI:doc-TO18695PslZaložba Univerze v LjubljaniArs et humanitascoming-of-age novelpicaresque novelpikareskni romanrazvojni romanroad novelroman cesteSlovenian literatureslovenska književnostVojnović, GoranVojnovićev roman Jugoslavija, moja dežela kot roman ceste|The article analyses Goran Vojnović’s novel Yugoslavia, My Fatherland from the per-spective of the literary genre of the road novel, which developed in the second half of the 20th century under the influence of the picaresque novel, the coming-of-age novel and the road movie film genre, primarily in North American literature, but in the 21st century it has also become popular in European literature. Vojnović’s novel has both the content and formal characteristics of this genre, such as a first-person narrator, an episodic structure, special psychological states while driving a car, which allow him to recall memories of childhood and confront traumatic experiences, a critical view of society from the position of outsiders, and the thematization of what is concealed in society. At the same time, the novel transcends the genre scheme and thematizes precisely this talking about what is left unsaid, showing that it is not only important to talk about what is left unsaid, but also how we talk about itPrispevek analizira roman Gorana Vojnovića Jugoslavija, moja dežela z vidika lite-rarnega žanra romana ceste, ki se je v drugi polovici 20. stoletja razvil pod vplivom pikaresknega romana, razvojnega romana in filmskega žanra road movie, in sicer predvsem v severnoameriški književnosti, v 21. stoletju pa je postal priljubljen tudi v evropskih književnostih. Vojnovićev roman ima tako vsebinske kot formalne značil-nosti tega žanra, npr. prvoosebnega pripovedovalca, epizodično strukturo, posebna psihična stanja med vožnjo z avtom, ki mu omogoči obujanje spominov na otroštvo in soočanje s travmatskimi izkušnjami, kritični pogled na družbo s položaja obstranca in tematiziranje tega, kar je v družbi zamolčano. Istočasno pa roman preseže žanrsko shemo, tematizira prav to govorjenje o zamolčanem in pokaže, da ni pomembno le, da o zamolčanem spregovorimo, temveč tudi, kako o tem spregovorimoTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta