{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-TKJB7L9G/5c35757e-00db-49d6-8644-dc5343d43468/PDF","dcterms:extent":"1093 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-TKJB7L9G/b41f326b-cb36-4fd2-99cc-781486567187/TEXT","dcterms:extent":"39 KB"}],"edm:TimeSpan":{"@rdf:about":"2007-2025","edm:begin":{"@xml:lang":"en","#text":"2007"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-TKJB7L9G","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-REUWXDY1"},{"@xml:lang":"sl","#text":"Ars et humanitas"}],"dcterms:issued":"2017","dc:creator":"Martín Vodopivec, Yasmín","dc:format":[{"@xml:lang":"sl","#text":"letnik:11"},{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"str. 365-382"}],"dc:identifier":["ISSN:1854-9632","COBISSID:66025570","URN:URN:NBN:SI:doc-TKJB7L9G"],"dc:language":"es","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"sl","#text":"emancipacija"},{"@xml:lang":"sl","#text":"Gvatemala"},{"@xml:lang":"sl","#text":"José Galindo, Regina"},{"@xml:lang":"sl","#text":"metafora"},{"@xml:lang":"sl","#text":"performance"},{"@xml:lang":"sl","#text":"pesniški jezik"}],"dcterms:temporal":{"@rdf:resource":"2007-2025"},"dc:title":{"@xml:lang":"sl","#text":"La práctica artística de Regina José Galindo| anatomía de una metáfora emancipatoria|"},"dc:description":[{"@xml:lang":"sl","#text":"Through history, the relationship between poetry and the other fine arts has been an object of numerous studies based mainly on comparative criteria. Poetic language transcends the boundaries of literature, and becomes a key element to determine if a work is indeed a work of art. The form, perception and execution of the performance, which in its origins was linked to the representative act based on the text as an artistic form of expression, is in the Latin-American context transformed into a protest element in the social mobilisations related to the defence of human rights. The main exponent of performance art in Guatemala, Regina José Galindo (born in 1974), started her career in the field of poetry. Her performances establish formal and functional connections with poetic language, creating metaphors through the subject, object and action, that are used as a catalyst of the message to be transmitted and thus create another type of reception, one that goes beyond the everyday limits that circumscribe both disciplines. The performance metaphors of the artist, besides questioning the social position of women, enable the observer to reach, through identification, the emancipatory experience in its entirety"},{"@xml:lang":"sl","#text":"V preteklosti so se številne študije odnosu poezije z drugimi umetnostmi posvečale predvsem s primerjalnega vidika. Pesniški jezik pa presega meje književnosti in postane ključni dejavnik pri opredeljevanju določenega dela kot umetnosti. Oblika, percepcija in izvedba performansa, ki je bil izvorno povezan z na besedilu osnovanim uprizoritvenim delom, kot umetniškega načina izražanja v latinskoameriškem kontekstu postane kritično sredstvo pri družbenih mobilizacijah, povezanih z varovanjem človekovih pravic. Glavna predstavnica performativne umetnosti v Gvatemali, Regina José Galindo (rojena leta 1974), je svojo pot začela na področju poezije. Njena performativna dejanja so formalno in funkcionalno povezana s pesniškim jezikom, saj metafore ustvarja skozi subjekt, objekt in dejanje. Ti služijo kot katalizatorji sporočila, ki ga želi prenesti, in izzovejo druge vrste recepcijo, presegajočo običajne meje, ki zamejujejo obe disciplini. Umetničine performativne metafore se ukvarjajo z družbenim položajem ženske, hkrati pa dosežejo, da opazovalec skozi poistovetenje doživi polnost emancipacijske izkušnje"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-TKJB7L9G","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-TKJB7L9G"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-TKJB7L9G/5c35757e-00db-49d6-8644-dc5343d43468/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-TKJB7L9G/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-TKJB7L9G"}}}}