<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-TKJB7L9G</identifier><date>2017</date><creator>Martín Vodopivec, Yasmín</creator><relation>documents/doc/T/URN_NBN_SI_doc-TKJB7L9G_001.pdf</relation><relation>documents/doc/T/URN_NBN_SI_doc-TKJB7L9G_001.txt</relation><format format_type="volume">11</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 365-382</format><identifier identifier_type="ISSN">1854-9632</identifier><identifier identifier_type="COBISSID">66025570</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-TKJB7L9G</identifier><language>spa</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Ars et humanitas</source><rights>BY-SA</rights><subject language_type_id="slv">emancipacija</subject><subject language_type_id="slv">Gvatemala</subject><subject language_type_id="slv">José Galindo, Regina</subject><subject language_type_id="slv">metafora</subject><subject language_type_id="slv">performance</subject><subject language_type_id="slv">pesniški jezik</subject><title>anatomía de una metáfora emancipatoria</title><title>La práctica artística de Regina José Galindo</title></Record>