<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-TGTC8WAA</identifier><date>1990</date><creator>Balažic, Milan</creator><relation>documents/doc/T/URN_NBN_SI_doc-TGTC8WAA_001.htm</relation><relation>documents/doc/T/URN_NBN_SI_doc-TGTC8WAA_001.pdf</relation><relation>documents/doc/T/URN_NBN_SI_doc-TGTC8WAA_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">27</format><format format_type="type">article</format><format format_type="extent">str. 185-188</format><identifier identifier_type="ISSN">0040-3598</identifier><identifier identifier_type="COBISSID">12230402</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-TGTC8WAA</identifier><language>slv</language><publisher>Fakulteta za sociologijo, politične vede in novinarstvo v Ljubljani</publisher><source>Teorija in praksa</source><rights>InC</rights><subject language_type_id="slv">Jugoslavija</subject><subject language_type_id="slv">kontrarevolucija</subject><subject language_type_id="slv">notranja politika</subject><subject language_type_id="eng">Yugoslavia</subject><title>Vloga Hollywooda pri kontrarevoluciji opredelitev</title></Record>