<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-TG9B4591</identifier><date>2017</date><creator>Tomsich, Francisco</creator><relation>documents/doc/T/URN_NBN_SI_doc-TG9B4591_001.pdf</relation><relation>documents/doc/T/URN_NBN_SI_doc-TG9B4591_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 11</format><format format_type="extent">str. 351-364</format><format format_type="volume">št. 2</format><identifier identifier_type="ISSN">1854-9632</identifier><identifier identifier_type="COBISSID">66025314</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-TG9B4591</identifier><language>spa</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Ars et humanitas</source><rights>BY-SA</rights><subject language_type_id="slv">alternativna kultura</subject><subject language_type_id="slv">diktatura</subject><subject language_type_id="slv">konceptualizem</subject><subject language_type_id="slv">Slovenija</subject><subject language_type_id="slv">Urugvaj</subject><subject language_type_id="slv">videoumetnost</subject><title>Desfase en dirección única</title><title>notas sobre los orígenes del videoarte en Uruguay y Eslovenia</title></Record>