{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-TC68VQFR/97b7e2f0-c414-4e02-9b50-a7a40f99d002/PDF","dcterms:extent":"2241 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-TC68VQFR/a23386f5-1004-4e61-9e21-1a233b9935ee/TEXT","dcterms:extent":"34 KB"}],"edm:TimeSpan":{"@rdf:about":"1978-2025","edm:begin":{"@xml:lang":"en","#text":"1978"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-TC68VQFR","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7"},{"@xml:lang":"sl","#text":"Primerjalna književnost"}],"dcterms:issued":"2020","dc:creator":"Löschnigg, Martin","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:43"},{"@xml:lang":"sl","#text":"str. 143-155"}],"dc:identifier":["ISSN:0351-1189","COBISSID_HOST:18433539","URN:URN:NBN:SI:doc-TC68VQFR"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"dc:subject":[{"@xml:lang":"en","#text":"crisis of representation"},{"@xml:lang":"sl","#text":"kriza reprezentacije"},{"@xml:lang":"sl","#text":"literatura in tehnologija"},{"@xml:lang":"en","#text":"literature and technology"},{"@xml:lang":"en","#text":"narrative structure"},{"@xml:lang":"sl","#text":"pripovedna struktura"},{"@xml:lang":"sl","#text":"prva svetovna vojna"},{"@xml:lang":"sl","#text":"vojaška tehnologija"},{"@xml:lang":"sl","#text":"vojni roman"},{"@xml:lang":"en","#text":"war novel"},{"@xml:lang":"en","#text":"war technology"},{"@xml:lang":"en","#text":"World War I"}],"dcterms:temporal":{"@rdf:resource":"1978-2025"},"dc:title":{"@xml:lang":"sl","#text":"Narrating modern war| technology and the aesthetics of war literature|"},"dc:description":[{"@xml:lang":"sl","#text":"This essay analyses how since the early twentieth century war novels and memoirs have reflected the challenges which modern warfare poses to narrative. Mechanized warfare, I argue, resists the narrative encoding of experience, creating a crisis of narrative that is frequently made explicit in the assertion, on the part of novelists and memoirists, that the actual experience of combat cannot be narrated. Thus, for instance, the nature of warfare on the Western Front 1914-1918, characterized by the fragmentation of vision in the trenches and the exposure of soldiers to a continuous sequence of acoustic shocks, had a disruptive effect on perceptions of time and space, and consequently on the rendering of the chronotope in narrative accounts of the fighting. Since then, modern military technology has increasingly generated a sense that wars have acquired a dynamic of their own. The \"cinematic\" nature of technological warfare and the resulting loss of individual agency have suspended the order-creating and meaning-creating function of narrative, leading, in extremis, to the representational impasse emphasised by trauma theory. In my discussion of selected war writings, I shall show how the \"cognitive narratology\" of modern warfare can be applied to the analysis of aesthetic manifestations in war literature and the \"crisis of language\" underlying (literary) modernity and post-modernity"},{"@xml:lang":"sl","#text":"V članku analiziram, kako so vojni romani in memoarji vse od začetka 20. stoletja odraz izzivov, ki jih sodobno vojskovanje predstavlja za pripoved. Pokazal bom, da se mehanizirano vojskovanje upira pripovednemu zapisu izkušnje in ustvarja pripovedno krizo, ki je pogosto eksplicitno prisotna v ugotovitvah romanopiscev in memoaristov, da pripoved o dejanski bojni izkušnji ni mogoča. Tako je imela denimo narava vojskovanja na Zahodni fronti (1914-1918), ki jo je zaznamovala fragmentiranost pogleda v bojnih jarkih in izpostavljenost vojakov nenehnim akustičnim šokom, uničujoče učinke na dojemanje časa in prostora in posledično na podajanje kronotopa v pripovednih opisih bojevanja. Odtlej sodobna vojaška tehnologija vse bolj ustvarja občutek, da imajo vojne svojo lastno dinamiko. \"Filmične\" značilnosti tehnološkega vojskovanja in iz njih izhajajoča izguba osebne udeleženosti so ukinile pripovedno funkcijo vzpostavljanja reda in ustvarjanja pomena, kar je v skrajnem primeru privedlo do reprezentacijske mrtve točke, ki jo poudarja teorija travme. V pričujoči obravnavi izbranih zapisov o vojni bom pokazal, kako lahko \"kognitivno pripovedništvo\" sodobnega vojskovanja uporabimo za analizo pojavljanja estetskih prvin v vojni literaturi in \"krize jezika\", na kateri sloni (literarna) modernost in postmodernost"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-TC68VQFR","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-TC68VQFR"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-TC68VQFR/97b7e2f0-c414-4e02-9b50-a7a40f99d002/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-TC68VQFR/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-TC68VQFR"}}}}