<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-T9G8RHRP</identifier><date>2021</date><creator>Alizadeh, Ghiasuddin</creator><creator>Amani, Omid</creator><creator>Pirnajmuddin, Hossein</creator><relation>documents/doc/T/URN_NBN_SI_doc-T9G8RHRP_001.pdf</relation><relation>documents/doc/T/URN_NBN_SI_doc-T9G8RHRP_001.txt</relation><format format_type="volume">18</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 71-84</format><identifier identifier_type="COBISSID">107242243</identifier><identifier identifier_type="ISSN">1581-8918</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-T9G8RHRP</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete Univerze v Ljubljani</publisher><source>ELOPE (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">ameriška književnost</subject><subject language_type_id="slv">dramatika</subject><subject language_type_id="slv">nemogoči svetovi</subject><subject language_type_id="slv">nenaravna naratologija</subject><subject language_type_id="slv">postmodernizem</subject><subject language_type_id="slv">projicirani prostori</subject><subject language_type_id="slv">Shepard, Sam</subject><title>Unnatural temporalities and projected places in Sam Shepard's Cowboys 2</title></Record>