<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-T46OA3SA</identifier><date>2017</date><creator>Šepetavc, Jasmina</creator><relation>documents/doc/T/URN_NBN_SI_doc-T46OA3SA_001.pdf</relation><relation>documents/doc/T/URN_NBN_SI_doc-T46OA3SA_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 54</format><format format_type="extent">str. 49-50</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">1768203</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-T46OA3SA</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">Elle</subject><subject language_type_id="slv">film</subject><subject language_type_id="slv">filmske kritike</subject><subject language_type_id="slv">ženski liki</subject><title>"Nova ženska" tostran satire vsakdanjih patologij buržoazije</title><title>Ona / Elle, 2016, Paul Verhoeven</title></Record>