478 KB22 KB200520252009Barbo, Matjažštevilka:1letnik:5str. 43-49ISSN:1854-3405COBISSID:39435362URN:URN:NBN:SI:doc-T41C4LCGslMuzikološki inštitut ZRC SAZUDe musica disserendaaestheticsestetikaglasbahermenevtikakoncept delamusicsemioticssemiotikaDuh in črka glasbe|The 19th century emphasised the opposition between the musical text and its performance. It seems that in the contrast between the unseizable spirit common to all arts and the letter of musical text the old oppositions can be seen, deepened even more with the historical progress of the accentuation of the individualisation of the musical work. The aesthetic normatives of musical work have put into force the apparent concept of self-regulative autonomy, which, however, demonstrates that music has perhaps never actually rejected an external referential systemV 19. stoletju je podčrtano nasprotje med glasbenim tekstom in njegovo izvedbo. Zdi se, da se v kontrastu med neulovljivim, vsem umetnostim enakim duhom ter črko glasbenega teksta kažejo stara nasprotja, ki jih čas s poudarjeno individualizacijo glasbenega dela še poglablja. Estetska normativnost glasbenega dela je uveljavila navidezni koncept samoregulirajoče avtonomnosti, ki pa vendar opozarja, da se glasba morda nikoli ni zares odrekla zunanjemu referenčnemu sistemuTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZRC SAZU