329 KB0 KB200520252022Černe, NadjaZaletel, Petraštevilka:1/2letnik:70str. 148-156ISSN:0353-7455COBISSID:112524035URN:URN:NBN:SI:doc-T24OT5VCslFakulteta za športŠport (Ljubljana)baletestetski športigibalni razvojplesšportumetnostBalet – estetski šport ali gibalna umetnost?|Ballet dancers face the difficult task of combining aesthetic and physical components; from them, we expect a certain body shape, daily exercise and top technique, exceptional mobility, uniformity in appearance and ease of movement. On the other hand, we want to see an artistic expression on stage that convinces us as spectators, so we could say that ballet is still a more artistic form of dance, as its primary purpose is to express moods, emotions, story through movement. Ballet technique and superior motor skills are extremely important for a successful ballet dancer, but they are not enough themselves to represent the full significance of ballet. The theatrical actor expresses himself with words and facial expressions, the opera singer manipulates the voice and the cartoonist the line. The ballet dancer uses movement as a means of expression. If we dig deeper and explore the history, we discover that ballet's origin, purpose, and essence are more tied to art. Ballet originates from theatrical performances and court dances and still preserves their tradition. The ballet dancer is thus the bearer of the content – the story – and interprets it in connection with the music. In addition to good technique, a professional dancer is also required to pay attention, express emotions, have presence, creativity, artistry, communication and relationship with the audience. Dancers are great aesthetes and their role on stage is to be appealing to spectators. The audience, watching the ballet dancers on stage, is in a state of anticipation, empathising with the performance and admiring each dancer's beauty, passion, and charismaPlesalke in plesalci baleta se srečujejo s težko nalogo združevanja estetske in fizične komponente: od njih pričakujemo določeno obliko telesa, vsakodnevno vadbo in vrhunsko tehniko, izjemno gibljivost, uniformiranost v izgledu ter lahkotnost gibanja. Na drugi strani želimo na odru videti umetniški izraz, ki nas kot gledalce prepriča, torej bi lahko rekli, da balet kljub temu predstavlja bolj umetniško zvrst plesa, saj je njegov primarni namen izražati razpoloženja, čustva, zgodbo skozi gib. Gledališki igralec se izraža z besedo in mimiko, operni pevec manipulira z glasom, risar s črto. Baletni plesalec pa za izrazno sredstvo uporabi gib. Baletna tehnika in vrhunske gibalne sposobnosti so za uspešnega baletnika izjemnega pomena, vendar so same po sebi premalo, da bi predstavljale celoten pomen baleta. Če se spustimo v globino in tudi raziščemo zgodovino, odkrijemo, da izvor, namen in bistvo balet vežejo bolj na umetnost. Balet namreč izvira iz gledaliških predstav in dvornih plesov ter še danes ohranja njihovo tradicijo. Baletnik je tako nosilec vsebine – zgodbe in jo v povezavi z glasbo interpretira. Od poklicnega plesalca se poleg dobre tehnike zahteva tudi pozornost, izražanje čustev, prezenca, ustvarjalnost, umetniškost, komunikacija in odnos z občinstvom. Plesalci so veliki esteti in njihova vloga na odru je biti privlačen za gledalce. Gledalci, ki spremljajo baletne plesalce na odru, so v pričakovanju, empatično vživeti v predstavo ter občudujejo lepoto, strast in karizmo posameznega plesalcaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Fakulteta za šport