<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-T20IA3I2</identifier><date>2011</date><creator>Stefanija, Leon</creator><relation>documents/doc/T/URN_NBN_SI_doc-T20IA3I2_001.pdf</relation><relation>documents/doc/T/URN_NBN_SI_doc-T20IA3I2_001.txt</relation><format format_type="issue">2</format><format format_type="volume">5</format><format format_type="type">article</format><format format_type="extent">str. 11-47</format><identifier identifier_type="ISSN">1854-9632</identifier><identifier identifier_type="COBISSID">47754594</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-T20IA3I2</identifier><language>slv</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Ars et humanitas</source><rights>InC</rights><subject language_type_id="slv">glasba</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">pomenoslovje glasbe</subject><subject language_type_id="slv">satira</subject><subject language_type_id="eng">satire</subject><subject language_type_id="eng">semiology in music</subject><title>Satira v glasbi</title></Record>