<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-SY1V0YH4</identifier><date>2017</date><creator>Meterc, Petra</creator><relation>documents/doc/S/URN_NBN_SI_doc-SY1V0YH4_001.pdf</relation><relation>documents/doc/S/URN_NBN_SI_doc-SY1V0YH4_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 54</format><format format_type="extent">str. 62-63</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">1774347</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-SY1V0YH4</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">filmska drama</subject><subject language_type_id="slv">filmske kritike</subject><subject language_type_id="slv">Kor</subject><subject language_type_id="slv">turški film</subject><title>Kor, 2016, Zeki Demirkubuz</title><title>Modra ni najtoplejša barva</title></Record>