{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-SSPBWR4I/cc156f21-e932-4030-b871-fa26804dc0b5/PDF","dcterms:extent":"373 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-SSPBWR4I/4f6e6a6a-901f-4a79-bd88-6529b6dc5dbb/TEXT","dcterms:extent":"46 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-SSPBWR4I/e00be915-d6f8-4619-b113-607c1f3e763b/PDF","dcterms:extent":"382 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-SSPBWR4I/0441a726-671f-4570-841b-82470ed4b906/TEXT","dcterms:extent":"47 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-SSPBWR4I","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2016","dc:creator":"Kline, Mala","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:4"},{"@xml:lang":"sl","#text":"str. 70-102"}],"dc:identifier":["ISSN:1855-4539","ISSN:1855-850X","COBISSID:239685632","COBISSID:249943040","URN:URN:NBN:SI:DOC-SSPBWR4I"],"dc:language":["en","sl"],"dc:subject":[{"@xml:lang":"en","#text":"ethics"},{"@xml:lang":"sl","#text":"etika"},{"@xml:lang":"sl","#text":"scenske umetnosti"},{"@xml:lang":"sl","#text":"sodobno gledališče"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Neoperativna gledališča: o biti-skupaj singularnosti| an essay on Recollections by Dalija Aćin Thelander and the second time by Simona Semenič| esej o performansih Recollections Dalije Aćin Thelander in drugič Simone Semenič| The inoperative theatres: on a being together of singularities|"},"dc:description":[{"@xml:lang":"sl","#text":"The article discusses the phenomenon of inoperative theatre and its transformative potential on the basis of two examples of theatre in the expanded field, Recollections by Dalija Aćin Thelander and The Second Time by Simona Semenič. With their subversive gesture that revolves around \"doing less\", these two participatory performances undo the theatrical apparatus by reversing its organisational procedures. In them, withdrawal and disengagement work as organisational strategies. Through \"active undoing\" they subvert the capitalist ideology in the form of the imperative of productivity and actualisation of all potential embedded in the majority of participatory and interactive relational performances. The performance undoes the problematic post-political myth potentially presupposed in participatory relational artworks, namely, the idea of a community as a democratic union, in which everyone bears responsibility for participation and engagement, yet entails no real antagonism. By enabling the possibility not-to write, the normative mode of the production of sociality is interrupted and the potentiality of being together as a form of the commons is reintroduced. The audience is abandoned to the absence of myth and its imperative of unity, identity and belonging. Left onto themselves, they individually write the performance and so inaugurate the inoperative community of singularities displaced into their shared exteriority as a place of communication and as a common ground of the community-to-come"},{"@xml:lang":"sl","#text":"Članek na podlagi dveh primerov gledališča v razširjenem polju, Recollections Dalije Aćin Thelander in drugič Simone Semenič, obravnava obliko neoperativnega gledališča in njegov transformativni potencial. Omenjena participatorna performansa z izničenjem organizacijskih postopkov gledališkega aparata, ki je povezano s subverzivno gesto \"narediti manj\", izničita sam gledališki aparat. Umik in odmaknjenost delujeta kot organizacijski strategiji. Z \"aktivnim izničenjem\" se spodkopava kapitalistična ideologija v obliki imperativa produktivnosti in udejanjanja vsega potenciala, ki je ukoreninjen v večini participatornih in interaktivnih relacijskih performansov. Performansa izničita problematični postpolitični mit, ki ga potencialno predpostavljajo participatorna relacijska umetniška dela, namreč idejo skupnosti kot demokratične unije, v kateri vsakdo nosi odgovornost za udeležbo in vpletenost, a ne sproža nobenega pravega antagonizma. Z omogočenjem možnosti ne-pisanja se normativna oblika proizvodnje družbenosti prekine in se ponovno vzpostavi potencialnost biti skupaj kot oblike skupnega. Gledalci so prepuščeni odsotnosti mita in njegovega imperativa enotnosti, identitete in pripadanja. Prepuščeni sami sebi vsak zase spišejo performans in tako uvedejo neoperativno skupnost singularnosti, premeščeno v njihovo skupno zunanjost kot prostor komunikacije in skupni imenovalec skupnosti, ki prihaja"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-SSPBWR4I","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-SSPBWR4I"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-SSPBWR4I/cc156f21-e932-4030-b871-fa26804dc0b5/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-SSPBWR4I/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-SSPBWR4I"}}}}