<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-SHX3BTBF</identifier><date>2016</date><creator>Cavallini, Ivano</creator><relation>documents/doc/S/URN_NBN_SI_doc-SHX3BTBF_001.pdf</relation><relation>documents/doc/S/URN_NBN_SI_doc-SHX3BTBF_001.txt</relation><format format_type="issue">1</format><format format_type="volume">12</format><format format_type="type">article</format><format format_type="extent">str. 11-30</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID_HOST">40074541</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-SHX3BTBF</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">19.st.</subject><subject language_type_id="eng">Central Europe</subject><subject language_type_id="slv">glasbeni kanon</subject><subject language_type_id="slv">nacionalizem</subject><subject language_type_id="eng">nationalism</subject><subject language_type_id="eng">Slavs</subject><subject language_type_id="slv">Slovani</subject><subject language_type_id="slv">Srednja Evropa</subject><subject language_type_id="slv">svetovljanstvo</subject><title>Cultural paradigm and popular canon</title><title>the discourse on nation in nineteenthcentury music of Slavic Mitteeuropa</title></Record>