169 KB63 KB200420252016Inan, DilekYakut, Ayşe Didemletnik:no. 2str. 77-94številka:vol. 13ISSN:1581-8918COBISSID_HOST:63038818URN:URN:NBN:SI:doc-SHJ6CP2GenZnanstvena založba Filozofske fakultete Univerze v LjubljaniELOPE (Ljubljana)angleška književnostCrimp, Martin, 1956-jezikLanguageliterarne študijemočpowersodobna britanska dramatikaThe complex nature of power and language| verbal strategies in Martin Crimp's The City|The purpose of the paper is to examine the dynamic relationships between language and power in The City (2008), which was written by the groundbreaking playwright Martin Crimp. In a systematic and intentional way, Crimp's language resists the established conventional standards and challenges any typical expectations for dramatic discourse. Crimp deconstructs language and dismantles its authorial guidance. He employs stimulating and inventive dialogues through word games and language strategies and devices such as repetitions, interruptions, silences and pauses, denial, concealment, other enhancement, negation, formulation, topic-shift and turn-taking. Crimp exploits language through effective and energetic rhythm, structure and form in order to depict the ethical disasters of the contemporary world. The playwright breaks the traditional dramatic form, replacing it with his unique device where the language does not communicate meaning but acts as a means of articulating power through verbal strategiesČlanek raziskuje dinamične povezave med jezikom in močjo v drami The City (2008) izpod peresa inovativnega britanskega dramatika Martina Crimpa. Crimpov jezik se sistematično in namerno upira uveljavljenim standardom in spodkopava uveljavljene paradigme dramskega diskurza. Crimp dekonstruira jezik in s tem avtorsko vodstvo. Svoje stimulativne in domiselne dialoge gradi z besednimi igrami ter jezikovnimi strategijami in figurami, kot so ponavljanja, prekinitve, tišine in premori, zanikanje, prikrivanje, prilizovanje, zanikanje, formulacija, menjava tem in menjavanje vlog. Z energičnim in učinkovitim poigravanjem z ritmom, strukturo in obliko jezika Crimp izkorišča potencial jezika za prikaz etičnih katastrof sodobnega sveta. Dramatik ruši tradicionalno dramsko formo in jo nadomešča s svojo edinstveno strategijo, kjer jezik ne služi prenosu pomena, ampak kot orodje za artikulacijo moči s pomočjo različnih jezikovnih strategijTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta, Znanstvena založba