<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-SFX2W7NM</identifier><date>2022</date><creator>Mrak, Anja</creator><relation>documents/doc/S/URN_NBN_SI_doc-SFX2W7NM_001.pdf</relation><relation>documents/doc/S/URN_NBN_SI_doc-SFX2W7NM_001.txt</relation><format format_type="volume">19</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 211-221</format><identifier identifier_type="DOI">10.4312/elope.19.2.211-221</identifier><identifier identifier_type="COBISSID_HOST">137204739</identifier><identifier identifier_type="ISSN">1581-8918</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-SFX2W7NM</identifier><language>eng</language><publisher publisher_location="Ljubljana">Založba Univerze v Ljubljani</publisher><source>ELOPE (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">animaličnost</subject><subject language_type_id="eng">animality</subject><subject language_type_id="slv">Erdrich, Louise</subject><subject language_type_id="eng">feminism</subject><subject language_type_id="slv">feminizem</subject><subject language_type_id="eng">magical realism</subject><subject language_type_id="slv">magični realizem</subject><title>Liminal femininity</title><title>magical realism and the abject in Louise Erdrich’s Tracks</title></Record>