<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-SFVLXBJ3</identifier><date>2025</date><creator>Laurén, Kirsi</creator><creator>Seppä, Tiina</creator><creator>Venäläinen, Juhana</creator><relation>documents/doc/S/URN_NBN_SI_doc-SFVLXBJ3_001.pdf</relation><relation>documents/doc/S/URN_NBN_SI_doc-SFVLXBJ3_001.txt</relation><format format_type="issue">1</format><format format_type="volume">3</format><format format_type="type">article</format><format format_type="extent">str. 75-94</format><identifier identifier_type="DOI">10.4312/svetovi.3.1.75-94</identifier><identifier identifier_type="COBISSID">228945155</identifier><identifier identifier_type="ISSN">2820-6088</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-SFVLXBJ3</identifier><language>eng</language><publisher publisher_location="Ljubljana">Založba Univerze v Ljubljani</publisher><source>Svetovi (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">digitalna estitetizacija</subject><subject language_type_id="slv">krajinska fotografija</subject><subject language_type_id="slv">kulturna antropologija</subject><subject language_type_id="slv">močvirje</subject><subject language_type_id="slv">narava</subject><subject language_type_id="slv">veččutna antropologija</subject><title>Capturing the invisible</title><title>the digital aestheticization of mires</title><title>Ujeti nevidno</title><title>digitalna estetizacija močvirij</title></Record>