<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-S902D8M7</identifier><date>2025</date><creator>Krucsay, Michaela Stefanie</creator><relation>documents/doc/S/URN_NBN_SI_doc-S902D8M7_001.pdf</relation><relation>documents/doc/S/URN_NBN_SI_doc-S902D8M7_001.txt</relation><format format_type="issue">1</format><format format_type="volume">21</format><format format_type="type">article</format><format format_type="extent">str. 213-241</format><identifier identifier_type="DOI">10.3986/dmd21.1.06</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID_HOST">268482307</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-S902D8M7</identifier><language>ger</language><publisher publisher_location="Ljubljana">Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-SA</rights><subject language_type_id="slv">Gigler-Dongas, Heidi</subject><subject language_type_id="slv">Le Beau, Luise Adolpha</subject><subject language_type_id="eng">objects</subject><subject language_type_id="slv">predmeti</subject><subject language_type_id="slv">profesionalna identiteta</subject><subject language_type_id="eng">professional identity</subject><title>Gegenstände der Erinnerung</title><title>Varianten der Objektivation von Professionalität in den Nachlässen von Musikerinnen</title></Record>