{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-S6R2LNRV/e19fca24-8ebd-446e-99b4-b69d3e903b0e/PDF","dcterms:extent":"283 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-S6R2LNRV/5ce5551c-f37d-441b-89fe-fc52db91880e/TEXT","dcterms:extent":"66 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-S6R2LNRV","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2020","dc:creator":"Ejgod Hansen, Louise","dc:contributor":"Vojevec, Jaka A.","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:8"},{"@xml:lang":"sl","#text":"str. 254-281"}],"dc:identifier":["ISSN:1855-4539","ISSN:1855-850X","COBISSID:239685632","COBISSID:249943040","URN:URN:NBN:SI:DOC-S6R2LNRV"],"dc:language":["en","sl"],"dc:publisher":[{"@xml:lang":"sl","#text":"Akademija za gledališče, radio, film in televizijo"},{"@xml:lang":"sl","#text":"Društvo gledaliških kritikov in teatrologov Slovenije"}],"dc:subject":[{"@xml:lang":"sl","#text":"2017"},{"@xml:lang":"sl","#text":"Aarhus"},{"@xml:lang":"en","#text":"amateur theatre"},{"@xml:lang":"en","#text":"children's culture"},{"@xml:lang":"en","#text":"European Capitals of Culture"},{"@xml:lang":"sl","#text":"evropska prestolnica kulture"},{"@xml:lang":"sl","#text":"ljubiteljsko gledališče"},{"@xml:lang":"sl","#text":"otroška kultura"},{"@xml:lang":"sl","#text":"participacija"},{"@xml:lang":"en","#text":"participation"},{"@xml:lang":"sl","#text":"poklicno gledališče"},{"@xml:lang":"en","#text":"professional theatre"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Otroci na odru v Aarhusu 2017| Children on stage in Aarhus 2017| participatorni obrat kot izziv razmejevanju med poklicno in ljubiteljsko umetnostjo| participatory turn as a challenge for the distinction betwee professional and amateur art|"},"dc:description":[{"@xml:lang":"sl","#text":"In this article, the author discusses how the so-called participatory turn in culture has challenged the distinction between professional and amateur art and how we understand the value of the two. Building on and discussing Bentley's classical definition of theatre, she argues that the role of the producer and the recipient is changing and that the consequence is a more blurred distinction between artistic and social values and between process and product. By using examples from the European Capital of Culture Aarhus 2017 as cases, the author looks further into how culture for and culture with children have been combined and what the values and assumptions are behind such practices"},{"@xml:lang":"sl","#text":"V članku pretresam t. i. participatorni obrat v kulturi in kakšen izziv to predstavlja razlikovanju med poklicno in ljubiteljsko umetnostjo ter razumevanju vrednosti ene in druge. Pri tem izhajam iz Bentleyjeve klasične definicije gledališča in zagovarjam mnenje, da se vloga ustvarjalcev in prejemnikov spreminja, posledica tega pa so nejasnosti pri razmejevanju med umetniško in družbeno vrednostjo ter med procesom in končnim izdelkom. Na podlagi primerov z evropske prestolnice kulture Aarhus 2017 ponujam globlji vpogled v to, kako sta se združili kultura za otroke in kultura z otroki ter kakšne vrednostne sodbe in domneve se skrivajo v ozadju"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-S6R2LNRV","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-S6R2LNRV"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-S6R2LNRV/e19fca24-8ebd-446e-99b4-b69d3e903b0e/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-S6R2LNRV/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-S6R2LNRV"}}}}