<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-RWC84ITU/a6ed7476-e45b-4135-8809-bf6bd97dc65d/PDF"><dcterms:extent>107 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-RWC84ITU/c26527ce-b36b-4928-8c79-174bdfc1179d/TEXT"><dcterms:extent>55 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2004-2025"><edm:begin xml:lang="en">2004</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-RWC84ITU"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-SCXG6C82" /><dcterms:issued>2015</dcterms:issued><dc:creator>Starčević, Mirko</dc:creator><dc:format xml:lang="sl">letnik:12</dc:format><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">str. 129-145</dc:format><dc:identifier>ISSN:1581-8918</dc:identifier><dc:identifier>COBISSID:59408226</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-RWC84ITU</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Znanstvena založba Filozofske fakultete Univerze v Ljubljani</dc:publisher><dcterms:isPartOf xml:lang="sl">ELOPE (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="sl">angleška poezija</dc:subject><dc:subject xml:lang="sl">literarne študije</dc:subject><dc:subject xml:lang="sl">Newman, John Henry, 1801-1890</dc:subject><dc:subject xml:lang="sl">Oxfordsko gibanje</dc:subject><dc:subject xml:lang="en">Romanticism</dc:subject><dc:subject xml:lang="sl">romantika</dc:subject><dc:subject xml:lang="sl">Via Media</dc:subject><dcterms:temporal rdf:resource="2004-2025" /><dc:title xml:lang="sl">John Henry Newman and the Oxford Movement| a poet of the Church| John Henry Newman in Oxfordsko gibanje| pesnik cerkve|</dc:title><dc:description xml:lang="sl">The paper examines John Henry Newman and the extent to which his involvement with the Oxford Movement influenced his poetic endeavours. The analysis of the historical and theological background of the Movement from Newman's perspective makes the task of presenting the genesis of Newman's poetic conceptions much easier. Newman was famous for being a preternaturally gifted preacher and prose writer, while his poetic texts received less attention. The examination of poetry is carried out here by contrasting the Oxford Movement's ideas, majorly Newman's own ideas and poetry, with Romanticism as the high guardian of Imagination and furor poeticus. While the Romantic poets craved authenticity and defied the laws of imitative modes of expression, the devotional poets of that time oftentimes leaned on mimesis. The paper's objective, therefore, is to help define the prominence of imitative elements in Newman's poetry and their impact on the quality of his verse</dc:description><dc:description xml:lang="sl">Članek obravnava Johna Henryja Newmana in vpliv, ki ga je imela njegova udeležba v Oxfordskem gibanju na njegovo lastno poetično udejstvovanje. Analiza zgodovinskega in teološkega ozadja Oxfordskega gibanja z Newmanovega gledišča je olajšala predstavitev zapletenosti njegovega pesniškega razvoja. Newman je bil poznan po nevsakdanji pridigarski in pisateljski nadarjenosti, a pesniška dela, ki jih je ustvaril, so bila navadno deležna precej manj pozornosti. Razmišljanja o poeziji so podana v obliki kontrastne analize idej Oxfordskega gibanja - in s tem Newmanovih lastnih idej in poezije - in romantike, domovanja varuha domišljije in pesniške blaznosti. Medtem ko so romantiki hrepeneli po avtentičnosti in se zoperstavljali zakonom posnemovalnih oblik izražanja, se je nabožna poezija navadno oslanjala na mimetičnost. Cilj članka torej lahko opredelimo kot poizkus določitve razsežnosti mimetičnih elementov prisotnih v Newmanovi poeziji in njihov vpliv na kvaliteto njegovega verza</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-RWC84ITU"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-RWC84ITU" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-RWC84ITU/a6ed7476-e45b-4135-8809-bf6bd97dc65d/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Filozofska fakulteta, Znanstvena založba</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-RWC84ITU/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-RWC84ITU" /></ore:Aggregation></rdf:RDF>