2248 KB40 KB197820252020Pavlič, Darjaštevilka:1letnik:43str. 157-171ISSN:0351-1189COBISSID_HOST:18101251URN:URN:NBN:SI:doc-RSX392JUslSlovensko društvo za primerjalno književnostPrimerjalna književnostBlatnik, Andrejcognitive narratologyconsciousnessexperientialityFludernik, Monikaizkustvenostkognitivna naratologijakratka zgodbaliterarni likiliterary charactersnarrative structurepripovedna strukturashort storySlovenian literatureslovenska književnostzavestLiterarni liki v kratkih zgodbah Andreja Blatnika|Andrej Blatnik's short stories are based not on the actions of literary characters, but on their consciousness, which is foregrounded. Therefore, appropriate tools for their analysis are concepts that have evolved within the framework of cognitive narratology. In the article, I specifically highlight the notion of experientiality introduced by Monika Fludernik to explain narrativity. Due to its complexity, I seek to explain the concept by pointing to its connection with readers, literary characters, and storytellers. At the level of literary characters, experientiality can be equated with their consciousness, especially when consciousness is understood in relation to the body or as an embodied mind. Blatnik's literary characters respond emotionally and physically to events, reflect on their never-realized plans, and often ponder how others see them. As a rule, they are unsuccessful in reading the minds of other characters, which I show by analyzing three selected short stories: the postmodernist "Story about Rošlin and Verjanko", the minimalist "Wet Walls", and the modernist "Out of Passion"Kratke zgodbe Andreja Blatnika ne temeljijo na dejanjih literarnih likov, pač pa v ospredje postavljajo njihovo zavest. Primerno orodje za njihovo analizo so zato koncepti, razviti v okviru kognitivne naratologije. V članku posebej izpostavim pojem izkustvenost (experientiality), ki ga je za razlago pripovednosti uvedla Monika Fludernik. Ker gre za kompleksen pojem, ga skušam razložiti tako, da opozorim na njegovo povezanost z bralci, literarnimi liki in pripovedovalci. Na ravni literarnih likov je izkustvenost mogoče enačiti z njihovo zavestjo, še posebej, če to razumemo v povezavi s telesom oz. kot utelešeni um. Blatnikovi literarni liki se čustveno in fizično odzivajo na dogodke, razmišljajo o svojih nikoli uresničenih načrtih, pogosto tudi o tem, kako jih vidijo drugi. Pri branju umov drugih likov praviloma niso uspešni, kar pokažem z analizo treh izbranih kratkih zgodb: postmodernistične "Zgodbe o Rošlinu in Verjanku", minimalistične kratke zgodbe "Vlažne stene" in modernistične kratke zgodbe "Iz strasti"TEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost