76 KB3061 KB35 KB194820251996Bjelčevič, Aleksanderštevilka:3letnik:44str. 253-268ISSN:0350-6894COBISSID:3018594URN:URN:NBN:SI:doc-RPL6ONFRslSlavistično društvo SlovenijeSlavistična revijairegularni silabotonizemliterarne študijeLithuanian MetricametrikamodernaModerna Therapeuticsnaglasni verzregularni silabotonizemsilabotonizemSlovene literatureslovenska književnostslovenska poezijatonizemverzVerz slovenske moderne| silabotonizem in tonizem|Cankar, Kette, Murn and Župančič introduced the dactylic, amphibrachic and irregular iambic sonnet to the metric repertoire of regular syllabotonic verse. They reduced theshare of traditional meters and increased polymeter. The rythm was changed to a lesser degree; most notable is the shortening lines by one non-accented syllable or by one foot. Among irregular meters trochee and anapest emerge, all having higher syllabic variation. The accentual meters gained the accentual 4-foot verse (A4), A4 with two-syllable anacrusis and A4 with zero- or two syllable anacrusis and up to three-syllable weak position; atonicization of ictuses increasedCankar, Kette, Murn in Župančič so v metrični repertoar regularnega silabotoničnega verza vnesli daktilski, amfibraški in iregularni jambski sonet, zmanjša!li delež tradicionalnih meril, povečali polimetrijo; ritmika se je manj spremenila, opazno je predvsem krajšanje in daljšanje verzov za en nenaglašeni zlog ali stopico. Med iregularnimi merili se je pojavil trohej, daktil in anapest, vsa pa imajo večjo zlogovno variabilnost. Naglasna merila so bogatejša za nerimani naglasni četverec (N4), za N4 z 2-zložno anakruzo in za N4 z 0- do 2-zložno anakruzo in do 3-zložnim šibkim položajem, povečala pa se je atonizacija iktovTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of Slovenia