<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-RIOSAZ55</identifier><date>2022</date><creator>Bobnič, Robert</creator><creator>Stanković, Peter</creator><relation>documents/doc/R/URN_NBN_SI_doc-RIOSAZ55_001.pdf</relation><relation>documents/doc/R/URN_NBN_SI_doc-RIOSAZ55_001.txt</relation><format format_type="issue">100</format><format format_type="volume">38</format><format format_type="type">article</format><format format_type="extent">str. 131-162</format><identifier identifier_type="ISSN">0352-3608</identifier><identifier identifier_type="DOI">10.51936/dr.38.100.131-162</identifier><identifier identifier_type="COBISSID_HOST">127288579</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-RIOSAZ55</identifier><language>slv</language><publisher publisher_location="Ljubljana">Fakulteta za družbene vede</publisher><publisher publisher_location="Ljubljana">Slovensko sociološko društvo</publisher><source>Družboslovne razprave</source><rights>InC</rights><subject language_type_id="slv">Digitalne komunikacije</subject><subject language_type_id="slv">družbeni mediji</subject><subject language_type_id="slv">komunikacijske prakse</subject><subject language_type_id="slv">Mediji</subject><subject language_type_id="slv">mladi</subject><subject language_type_id="slv">Mladina</subject><subject language_type_id="slv">mobilni mediji</subject><title>Občinstva sodobne slovenske narodnozabavne glasbe v kulturološki perspektivi</title></Record>