{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-RIDQLPU0/07a6bd0b-34e1-4b69-a117-a2b3747b6831/PDF","dcterms:extent":"134 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-RIDQLPU0/ea65f0a0-6d36-4040-9bd8-781cd121196c/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2004-2025","edm:begin":{"@xml:lang":"en","#text":"2004"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-RIDQLPU0","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-SCXG6C82"},{"@xml:lang":"sl","#text":"ELOPE (Ljubljana)"}],"dcterms:issued":"2020","dc:creator":"Labudová, Katarína","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:17"},{"@xml:lang":"sl","#text":"str. 97-110"}],"dc:identifier":["DOI:10.4312/elope.17.1.97-110","ISSN:1581-8918","COBISSID_HOST:58165763","URN:URN:NBN:SI:doc-RIDQLPU0"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete Univerze v Ljubljani"},"dc:subject":[{"@xml:lang":"sl","#text":"Atwood, Margaret"},{"@xml:lang":"sl","#text":"cannibalism"},{"@xml:lang":"sl","#text":"confessional writing"},{"@xml:lang":"sl","#text":"distopija"},{"@xml:lang":"sl","#text":"dystopia"},{"@xml:lang":"sl","#text":"food"},{"@xml:lang":"sl","#text":"hrana"},{"@xml:lang":"sl","#text":"izpovedna literatura"},{"@xml:lang":"sl","#text":"kanibalizem"},{"@xml:lang":"sl","#text":"politika moči"},{"@xml:lang":"sl","#text":"power politics"},{"@xml:lang":"sl","#text":"pričevanje"},{"@xml:lang":"sl","#text":"pričevanjska literatura"},{"@xml:lang":"sl","#text":"testimony"},{"@xml:lang":"sl","#text":"witness literature"}],"dcterms:temporal":{"@rdf:resource":"2004-2025"},"dc:title":{"@xml:lang":"sl","#text":"Testimonies in The testaments by Margaret Atwood| images of food in Gilead|"},"dc:description":[{"@xml:lang":"sl","#text":"In The Testaments, Margaret Atwood takes readers deeper into her dystopian world of Gilead, also through the imagery of food and eating. The oppressive patriarchal regime enforces its power through dietary restrictions, reducing women into edibles. The Testaments (2019), moreover, creates the impression of a highly individual and authentic narratorial perspective. Thus, Atwood's characters' daily lives in a nightmarish theocracy are illustrated with images of dystopian food that reflect the limitations, constant control, and abuse of human rights in the Republic of Gilead. This article explores how Atwood employs the literary form of testimony to create fragments of individual lives in a dystopia brought closer to us through food metaphors and metaphors of cooking, or rendered shocking through metaphors of cannibalism. Since food (and lack of food) has emotional as well as political significance, it pervades the testimonial literature of oppressive regimes"},{"@xml:lang":"sl","#text":"Margaret Atwood v romanu Testamenti bralca popelje še globlje v distopični svet Gileada - tudi s pomočjo podobja hrane in prehranjevanja. Tiranski patriarhalni režim namreč uveljavlja svojo oblast s prehranskimi omejitvami, s čimer ženske degradira v hrano. Roman Testamenti (2019) poleg tega ustvari vtis močno individualizirane in avtentične pripovedne perspektive. Vsakdanja življenja romanesknih oseb v strašljivi teokraciji so tako prikazana s podobami distopične hrane, ki odseva omejitve, stalen nadzor in zlorabo človekovih pravic v Gileadu. Članek raziskuje, kako Margaret Atwood z uporabo literarne oblike pričevanja ustvari izseke individualnih življenj v distopični družbi, ki nam jih približa skozi metafore hrane in njene priprave oziroma nam jih prikaže kot strašljive skozi metafore kanibalizma. Hrana (in njeno pomanjkanje) ima čustven in političen pomen, zato je pogosto uporabljena v pričevanjski literaturi, ki govori o zatiralskih režimih"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-RIDQLPU0","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-RIDQLPU0"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-RIDQLPU0/07a6bd0b-34e1-4b69-a117-a2b3747b6831/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta, Znanstvena založba"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-RIDQLPU0/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-RIDQLPU0"}}}}