<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-RGIV1LW4</identifier><date>2006</date><creator>White, Harry</creator><relation>documents/doc/R/URN_NBN_SI_doc-RGIV1LW4_001.pdf</relation><relation>documents/doc/R/URN_NBN_SI_doc-RGIV1LW4_001.txt</relation><format format_type="issue">2</format><format format_type="volume">2</format><format format_type="type">article</format><format format_type="extent">str. 107-119</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">27405613</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-RGIV1LW4</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">19.st.</subject><subject language_type_id="slv">evropska glasba</subject><subject language_type_id="slv">irska poezija</subject><subject language_type_id="slv">Moore, Thomas, 1779-1852</subject><subject language_type_id="slv">Schumann, Robert, 1810-1856</subject><subject language_type_id="slv">Stanford, Charles Villiers, 1852-1924</subject><subject language_type_id="slv">uglasbitve</subject><title>European music and Irish literature in the nineteenth century</title><title>The afterlife of a tradition</title></Record>