<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-R91FT37J</identifier><date>2016</date><creator>Vidmar, Ičo</creator><relation>documents/doc/R/URN_NBN_SI_doc-R91FT37J_001.pdf</relation><relation>documents/doc/R/URN_NBN_SI_doc-R91FT37J_001.txt</relation><format format_type="issue">263</format><format format_type="volume">44</format><format format_type="type">article</format><format format_type="extent">str. 63-75</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">287547392</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-R91FT37J</identifier><language>slv</language><publisher>Študentska organizacija Univerze v Ljubljani</publisher><source>Časopis za kritiko znanosti</source><rights>BY-NC-ND</rights><subject language_type_id="slv">družba</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="eng">music</subject><subject language_type_id="eng">society</subject><subject language_type_id="slv">sociologija glasbe</subject><title>Godba, vsakdán, povsod</title></Record>