{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-R6UOZ6EJ/7df018eb-6baa-4995-af94-57250e2e9354/PDF","dcterms:extent":"185 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-R6UOZ6EJ/3ffd3042-7a4c-4dd3-945a-cfe0fed70b85/TEXT","dcterms:extent":"32 KB"}],"edm:TimeSpan":{"@rdf:about":"2007-2025","edm:begin":{"@xml:lang":"en","#text":"2007"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-R6UOZ6EJ","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-REUWXDY1"},{"@xml:lang":"sl","#text":"Ars et humanitas"}],"dcterms:issued":"2015","dc:creator":"García Barrientos, José Luis","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:9"},{"@xml:lang":"sl","#text":"str. 117-128"}],"dc:identifier":["ISSN:1854-9632","ISSN:2350-4218","URN:URN:NBN:SI:doc-R6UOZ6EJ"],"dc:language":"es","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"sl","#text":"Blanco, Sergio"},{"@xml:lang":"sl","#text":"gledališče"},{"@xml:lang":"sl","#text":"miti"},{"@xml:lang":"en","#text":"mythology"},{"@xml:lang":"sl","#text":"myths"},{"@xml:lang":"sl","#text":"Oedipus"},{"@xml:lang":"sl","#text":"Ojdip"},{"@xml:lang":"sl","#text":"Sophocles"},{"@xml:lang":"en","#text":"theater"},{"@xml:lang":"en","#text":"theatre"},{"@rdf:resource":"http://www.wikidata.org/entity/Q9134"}],"dcterms:temporal":{"@rdf:resource":"2007-2025"},"dc:title":{"@xml:lang":"sl","#text":"Miradas sobre Edipo en Tebas Land| de Sófocles a Sergio Blanco|"},"dc:description":[{"@xml:lang":"sl","#text":"The relationship between myth and gaze is particularly paradoxical in the theatre, and has been so since the time of Ancient Greek theatre to the present. After all, it pertains, on the one hand, to the most substantial trait of this mode of imitation (Aristotle), which is directly linked to the stage, whereas the second means, narrative, is always mediated by a voice (the narrator) or a gaze (the eye of the camera); and yet on the other hand the theatre is, even etymologically, a theatre par excellence: the fictive world is placed before the eyes of the spectator in a direct and effective manner. Since the gaze is of paramount importance to the very heart of the myth of Oedipus (from that of his parents, Laius and Jocasta, to the first-born, to the enemy-assassin, and finally to the saviour-king-spouse, and up to the unbearable one of anagnorisis, from which the only solution is blindness), in Greek tragedy, and its summit of Oedipus Rex, the impossible gaze finds substitutes in that of the choir and that of the playwright. On these bases, this paper examines the views of Oedipus which are intertwined in one of its most recent scenic avatars, namely, in Sergio Blanco's Tebas Land (2013), where the protagonist, called a la Kafka \"S\", encompasses at the same time the functions of the playwright and of the chorus in a perverse meta-theatrical play, while also embodying the various historical interpretations and views of the myth that exist between Sophocles and Blanco, especially that of Sigmund Freud, the third vertex of the hermeneutical triangle, or the third eye of \"S\""},{"@xml:lang":"sl","#text":"Odnos med mitom in pogledom je še posebej paradoksalen v gledališču, tako starogrškem kot dandanašnjem. Zadeva namreč, po eni strani, ključno potezo načina posnemanja (Aristotel), ki je neposredno vezan na uprizoritev, medtem ko tisti drugi način, pripoved, vedno terja posrednika, torej glas (pripovedovalca) ali pogled (objektiv kamere); toda po drugi strani je gledališče, celo etimološko gledano, gledišče v pravem pomenu besede: fiktivni svet je tam gledalcu postavljen na ogled, neposredno in učinkovito. Ker je pogled prvenstvenega pomena in v samem središču mita o Ojdipu (od pogleda njegovih staršev, Laja in Jokaste, najprej na novorojenčka, nato na rivala-morilca in obenem rešitelja-kralja-zakonca, pa do nevzdržnega trenutka prepoznanja, iz katerega je edini izhod slepota), v grški tragediji in njenem vrhuncu, Kralju Ojdipu, pogled, kadar ni mogoč, dobi nadomestke, kot sta še posebej zbor in dramatik. Na tej osnovi se prispevek ukvarja s pogledi na Ojdipa, ki se prepletajo v eni nedavnih scenskih predelav, v delu Sergia Blanca Tebas Land (2013), v katerem kafkovsko poimenovani lik \"S\" v perverzni metagledališki igri prevzame vlogo dramatika in zbora, vendar hkrati pooseblja tudi poglede različnih zgodovinskih interpretacij mita, ki se razpenjajo od Sofokleja do Blanca, zlasti pogled Sigmunda Freuda, ki predstavlja tretji zorni kot hermenetvičnega trikotnika in tretjo os lika \"S\""}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-R6UOZ6EJ","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-R6UOZ6EJ"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-R6UOZ6EJ/7df018eb-6baa-4995-af94-57250e2e9354/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-R6UOZ6EJ/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-R6UOZ6EJ"}}}}