4194 KB86 KB200520252008Zupančič, Marušaštevilka:2letnik:4str. 105-133ISSN:1854-3405COBISSID:29061421URN:URN:NBN:SI:doc-R3EP4YDZslMuzikološki inštitut ZRC SAZUDe musica disserenda18.-20.st.češki violinistiglasbakoncertimusicpedagogikapedagogySloveniaSlovenijaslovenski violinistiviolinizemV iskanju lastne identitete| češki violinisti kot glavni tvorci violinizma na Slovenskem|This paper discusses the strong influence of Czech violinism of the eighteenth and twentieth centuries, which had formative importance for shaping the history of violinism in Slovenia and, consequently, a significant impact on the development of Slovenian symphonic orchestras. The features of the Czech school were manifold, although they were most pronounced in educational settings, because the number of Czech violin teachers was then at its peak. The Czech teachers introduced the Prague violin school, and in the twentieth century they also popularized Otakar Ševčík's renowned method, which remains in use in violin instruction to this dayV prispevku so obravnavani močni češki violinski vplivi, ki so v 19. pa tudi še v 20. stoletju krojili in soustvarjali slovensko zgodovino violinizma ter vplivali na razvoj domačih simfoničnih orkestrov. Češki vplivi na Slovenskem so bili večplastni, najmočneje pa so bili izraženi v pedagoški dejavnosti obravnavanega časa, saj je bil tedaj delež čeških violinskih pedagogov največji. K nam so razširili praško violinsko šolo, v 20. stoletju pa popularizirali slavno violinsko metodo Otakarja Ševčíka, ki se še danes uporablja za poučevanje violineTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZRC SAZU