<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-QLWXPQ6I</identifier><date>2010</date><creator>Chouliaraki, Lilie</creator><creator>Thumim, Nancy</creator><relation>documents/doc/Q/URN_NBN_SI_doc-QLWXPQ6I_001.pdf</relation><relation>documents/doc/Q/URN_NBN_SI_doc-QLWXPQ6I_001.txt</relation><format format_type="volume">17</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 83-100</format><identifier identifier_type="ISSN">1318-3222</identifier><identifier identifier_type="COBISSID">29572189</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-QLWXPQ6I</identifier><language>eng</language><publisher>Evropski inštitut za komuniciranje in kulturo</publisher><source>Javnost (Ljubljana)</source><rights>InC</rights><subject language_type_id="eng">communication</subject><subject language_type_id="eng">digital television</subject><subject language_type_id="slv">digitalna televizija</subject><subject language_type_id="slv">javna sfera</subject><subject language_type_id="slv">javnost</subject><subject language_type_id="slv">komuniciranje</subject><subject language_type_id="slv">konkurenčnost</subject><subject language_type_id="slv">tržni odnosi</subject><title>Legitimising the BBC in the digital cultural sphere</title><title>the case of Capture Wales</title></Record>