{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-QCN51P6A/4d87bc29-3e07-47db-8bbe-7510c9966042/PDF","dcterms:extent":"308 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-QCN51P6A/40e304b5-9277-4763-b8b0-1c967ba64e65/TEXT","dcterms:extent":"69 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-QCN51P6A","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2020","dc:creator":["Cremona, Vicki Ann","Galea, Marco"],"dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:8"},{"@xml:lang":"sl","#text":"str. 182-208"}],"dc:identifier":["ISSN:1855-4539","ISSN:1855-850X","COBISSID:239685632","COBISSID:249943040","URN:URN:NBN:SI:DOC-QCN51P6A"],"dc:language":["en","sl"],"dc:publisher":[{"@xml:lang":"sl","#text":"Akademija za gledališče, radio, film in televizijo"},{"@xml:lang":"sl","#text":"Društvo gledaliških kritikov in teatrologov Slovenije"}],"dc:subject":[{"@xml:lang":"en","#text":"amateur theatre"},{"@xml:lang":"en","#text":"Catholic Church"},{"@xml:lang":"sl","#text":"gledališče v angleškem jeziku"},{"@xml:lang":"sl","#text":"gledališče v malteškem jeziku"},{"@xml:lang":"sl","#text":"gledališko izobraževanje"},{"@xml:lang":"sl","#text":"katoliška cerkev"},{"@xml:lang":"sl","#text":"ljubiteljsko gledališče"},{"@xml:lang":"sl","#text":"polprofesionalno gledališče"},{"@xml:lang":"en","#text":"semi-professional theatre"},{"@xml:lang":"en","#text":"theatre education"},{"@xml:lang":"en","#text":"theatre in English"},{"@xml:lang":"en","#text":"theatre in Maltese"},{"@xml:lang":"en","#text":"training"},{"@xml:lang":"sl","#text":"usposabljanje"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Ljubiteljsko gledališče na Malti| The amateur theatre in Malta|"},"dc:description":[{"@xml:lang":"sl","#text":"This article gives a short survey of amateur theatre practice in Malta. It demonstrates that the theatre system is based almost entirely on amateur practice, as Malta does not have the audience capacity and the administrative infrastructure to support professional theatre, and only a handful of persons make a living solely from theatre. However, the development of theatre education during the last thirty years has improved the quality of acting and staging and provided more scope for tackling challenging performances with regard to both content and mise-en-scene. The article looks into the different varieties of amateur theatre-making, taking into account issues such as the differing use of the two main languages of the country: Maltese and English. It discusses the importance of community identity as well as the role the Catholic Church has played in the development of theatre. The authors examine the challenges faced by contemporary amateur theatremakers in the light of the changes occurring in society and the new choices that these changes determine. New Western theatre styles are not only influencing both playwrights and performers, but have also changed the expectations of contemporary spectators concerning the way the performance presents social and political issues"},{"@xml:lang":"sl","#text":"Prispevek prinaša kratek pregled ljubiteljskih gledaliških praks na Malti in ob tem pokaže, da malteški gledališki sistem skoraj v celoti temelji na ljubiteljskih praksah. Malta namreč ne premore dovolj občinstva in upravne infrastrukture za obstoj poklicnih gledališč, kar pomeni, da se z gledališčem preživlja le peščica ustvarjalcev. Kljub temu se je z napredkom na področju gledališkega izobraževanja v zadnjih tridesetih letih kakovost igre in uprizarjanja znatno dvignila ter razprla prostor vsebinsko in uprizoritveno zahtevnejšim predstavam. Prispevek se osredotoči na različne tipe ljubiteljskega delovanja, pri čemer izpostavi predvsem razlikovanje glede na dejstvo, da je Malta dvojezična država, kjer sta uradna jezika malteščina in angleščina, ter osvetli pomen skupnostne identitete in katoliške cerkve za razvoj gledališča na Malti. Na izzive, s katerimi se soočajo ljubiteljski gledališki ustvarjalci, pogleda v luči sprememb, ki pretresajo družbo, in izbir, ki jih te prinašajo. Novi zahodni gledališki stili vplivajo tako na dramsko pisavo kot na odrske ustvarjalce, obenem pa so preoblikovali tudi pričakovanja gledalcev o tem, kako uprizarjati družbena in politična vprašanja sodobne družbe"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-QCN51P6A","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-QCN51P6A"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-QCN51P6A/4d87bc29-3e07-47db-8bbe-7510c9966042/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-QCN51P6A/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-QCN51P6A"}}}}