<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-Q5L93ISE</identifier><date>2019</date><creator>Pranjić, Kristina</creator><creator>Šef, Blaž</creator><relation>documents/doc/Q/URN_NBN_SI_doc-Q5L93ISE_001.pdf</relation><relation>documents/doc/Q/URN_NBN_SI_doc-Q5L93ISE_001.txt</relation><format format_type="issue">22</format><format format_type="type">article</format><format format_type="extent">Str. 10-13</format><identifier identifier_type="DOI">10.13137/2283-5482/24680</identifier><identifier identifier_type="COBISSID_HOST">1024651224</identifier><identifier identifier_type="ISSN">1592-0291</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-Q5L93ISE</identifier><language>slv</language><publisher>Universita degli Studi di Trieste</publisher><source>Slavica Tergestina</source><rights>BY</rights><subject language_type_id="slv">Kazimir Malevič</subject><subject language_type_id="slv">ruska umetnost</subject><subject language_type_id="slv">ruski futurizem</subject><subject language_type_id="slv">suprematizem</subject><title>140 let od rojstva Kazimira Maleviča</title><title>140 years since the birth of Kazimir Malevich</title><title>At the Intersection of art and outer space: the world as objectlessness</title><title>Uvod v temo Svet kot brezpredmetnost</title></Record>