<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-PPKIEIM4</identifier><date>2024</date><creator>Toporišič, Tomaž</creator><relation>documents/doc/P/URN_NBN_SI_doc-PPKIEIM4_001.pdf</relation><relation>documents/doc/P/URN_NBN_SI_doc-PPKIEIM4_001.txt</relation><format format_type="issue">105/106</format><format format_type="volume">40</format><format format_type="type">article</format><format format_type="extent">str. 209-227</format><identifier identifier_type="ISSN">0352-3608</identifier><identifier identifier_type="DOI">10.51936/dr.40.105-106.209-227</identifier><identifier identifier_type="COBISSID">216481795</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-PPKIEIM4</identifier><language>eng</language><publisher publisher_location="Ljubljana">Fakulteta za družbene vede</publisher><publisher publisher_location="Ljubljana">Slovensko sociološko društvo</publisher><source>Družboslovne razprave</source><rights>InC</rights><subject language_type_id="slv">kulturologija</subject><subject language_type_id="slv">moderna družba</subject><subject language_type_id="slv">sociologija gledališča</subject><subject language_type_id="slv">sociosemiotika</subject><subject language_type_id="slv">tekoča moderna</subject><subject language_type_id="slv">uprizoritvene prakse</subject><title>Sociologija gledališča v dobi negotovosti tekočih družb</title></Record>