{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-PM5S0KG8/89fa24d0-3257-4879-bfba-5c249395ab97/PDF","dcterms:extent":"100 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-PM5S0KG8/336ede51-30e3-4afc-9bda-9bcd539af561/TEXT","dcterms:extent":"41 KB"}],"edm:TimeSpan":{"@rdf:about":"2004-2025","edm:begin":{"@xml:lang":"en","#text":"2004"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-PM5S0KG8","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-SCXG6C82"},{"@xml:lang":"sl","#text":"ELOPE (Ljubljana)"}],"dcterms:issued":"2016","dc:creator":"Stawiarski, Marcin","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:13"},{"@xml:lang":"sl","#text":"str. 69-79"}],"dc:identifier":["ISSN:1581-8918","COBISSID:61391970","URN:URN:NBN:SI:doc-PM5S0KG8"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete Univerze v Ljubljani"},"dc:subject":[{"@xml:lang":"sl","#text":"ekscentričnost"},{"@xml:lang":"sl","#text":"glas"},{"@xml:lang":"sl","#text":"glasba"},{"@xml:lang":"sl","#text":"leposlovje"},{"@xml:lang":"sl","#text":"McCourt, James: Mawrdew Czgowchwz"},{"@xml:lang":"en","#text":"music"},{"@xml:lang":"sl","#text":"poglasbenje leposlovja"}],"dcterms:temporal":{"@rdf:resource":"2004-2025"},"dc:title":{"@xml:lang":"sl","#text":"Eccentric voices and the representation of vocal virtuosity in fiction| James McCourt's Mawrdew Czgowchwz| Ekscentrični glasovi in predstavitev vokalne virtuoznosti v romanu Jamesa McCourta Mawrdew Czgowchwz|"},"dc:description":[{"@xml:lang":"sl","#text":"This paper examines the representation of vocal virtuosity in fiction. It focuses on the concept of voice as it is represented in a work of fiction through musical eccentricity. The paper centres on James McCourt's Mawrdew Czgowchwz (1975). James McCourt's novel tells the story of an opera singer, Mawrdew Czgowchwz. In the novel, the voice is related to extravagance and fanaticism, so that it relates to violence and conflict. In McCourt's novel, the stylistic features of the text show a hyperbolic use of language resorting to Rabelaisian lists, foreign vocabulary, neologisms, or nonce-words, which create tongue-twister cornucopia effects of linguistic musicality. The paper aims to demonstrate that (a) the mode of eccentricity is a fundamental mode of representing music in literature; (b) eccentricity rubs off on the very structure of the text, so that it leads to singular forms of operatic musicalization of fiction and musicalized writing; (c) the voice ends up turning into a fetish object"},{"@xml:lang":"sl","#text":"Avtor analizira načine predstavitve vokalne virtuoznosti v leposlovju, pri čemer se osredinja na koncept glasu, ki se v leposlovnem delu kaže z glasbeno ekscentričnostjo. Gre za roman Jamesa McCourta Mawrdew Czgowchwz (1975), ki pripoveduje zgodbo o operni pevki Mawrdew Czgowchwz. Glas v romanu je ekstravaganten in fanatičen ter vzbuja asociacije na nasilje in konflikte. Za McCourtov slog je značilna hiperbolična raba jezika, polna naštevanj v stilu Rabelaisa, tujk, neologizmov in nesmiselnih besed, ki zaradi težke izgovorljivosti prispevajo k muzikaličnoti jezika. Namen članka je prikazati (a) ekscentričnost kot osnovni način predstavljanja glasbe v književnosti, (b) vpliv ekscentričnosti na samo zgradbo besedila, ki vodi v specifične oblike poglasbenja leposlovja in (c) glas, ki se na koncu spremeni v fetiš"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-PM5S0KG8","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-PM5S0KG8"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-PM5S0KG8/89fa24d0-3257-4879-bfba-5c249395ab97/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta, Znanstvena založba"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-PM5S0KG8/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-PM5S0KG8"}}}}