140 KB38 KB199120252014Veljović, Jelicaštevilka:22str. 197-212ISSN:0353-9660COBISSID:56900194URN:URN:NBN:SI:doc-PL4O2P5GesZnanstvena založba Filozofske fakulteteVerba hispanicadrugostGoytisolo, Juan, 1931-identitetaliterarne študijepovojni romanSpanish literaturešpanska književnostLa constitución de la identidad marginada en Senas de identidad de Juan Goytisolo|The main objective of the article is to investigate the modes of constitution of a marginalized and exiled identity in the novel Signs of identity by Juan Goytisolo. It is categorised as a "testimony and postwar novel", and the subjects constant search of themselves, of their Self and all the elements that constitute their identity is central to the work. The novel is set in the postwar socio-historical period and the protagonist - Alvaro Mendiola - searches for his identity in his childhood memories and family pictures, but also amongst all the Others whose life stories intertwine with his journey of identification. Tracing his line of identity formation, we found three different routes: the first through the genealogical records, the second through the concept of Otherness and the last one through love. We find Identity as a kaleidoscope containing all the Others who served as moulds for his Identity, yet leaving it undefined and incomplete. Therefore, the identity of an exiled and marginalized individual is always in flux, continually reinitiating the constitution of the Self that had been eradicated from its first and formative imagery: the family and the fatherlandNamen prispevka je raziskati načine, kako se v romanu Senas de identidad Juana Goytisola vzpostavi marginalizirana in pregnana identiteta. Roman, ki je označen za roman pričevanja in povojni roman, je bistveno delo za razumevanje subjektov, ki nenehno iščejo sebe, svoj jaz, in elemente, ki konstituirajo njihovo identiteto. Ker je identiteta protagonista romana Álvara Mendiola razpršena v španskem povojnem družbenozgodovinskem kontekstu, jo skuša vzpostaviti s pomočjo spominov iz otroštva, družinskih podob, vendar tudi s pomočjo različnih drugih, katerih zgodbe prekrižajo njegovo pot identifikacije. Če sledimo tej poti oblikovanja protagonistove identitete, lahko določimo tri različne poti: prva s pomočjo genealoških podob, druga poteka prek koncepta drugosti in tretja s pomočjo ljubezni. Tako identiteto vidimo kot kalejdoskop, sestavljen iz vseh drugih, ki so ji služili kot model, in je zato nikoli ni mogoče opredeliti in izpopolniti. Tako je identiteta izseljenca/pregnanca - obrobneža - vedno v gibanju, vedno znova se vrača na začetek konstituiranja, ker je ločena od prvotnih podob, ki so oblikovale njen jaz: od svoje družine in domovineTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta