<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-PJK12RLV</identifier><date>2023</date><creator>Vandervellen, Pascale</creator><relation>documents/doc/P/URN_NBN_SI_doc-PJK12RLV_001.pdf</relation><relation>documents/doc/P/URN_NBN_SI_doc-PJK12RLV_001.txt</relation><format format_type="volume">19</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 119-133</format><identifier identifier_type="DOI">10.3986/dmd19.2.06</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">186116867</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-PJK12RLV</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="slv">Bruselj</subject><subject language_type_id="slv">čembalo</subject><subject language_type_id="slv">izdelava glasbil</subject><subject language_type_id="slv">muzeji</subject><subject language_type_id="slv">ponaredki</subject><subject language_type_id="slv">Ruckers, Joannes</subject><subject language_type_id="slv">spektroskopija</subject><title>Counterfeit Ruckers instruments in the MIM collection</title><title>a case study of the so-called "Ruckers-Taskin" harpsichord</title></Record>