{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-PFIHWKXQ/3d0f2c08-9b57-4174-b0d1-027eaf9197d7/PDF","dcterms:extent":"208 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-PFIHWKXQ/35e048be-6de9-4749-adc3-369620578f22/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2004-2025","edm:begin":{"@xml:lang":"en","#text":"2004"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-PFIHWKXQ","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-SCXG6C82"},{"@xml:lang":"sl","#text":"ELOPE (Ljubljana)"}],"dcterms:issued":"2011","dc:creator":"Steble, Janez","dc:format":[{"@xml:lang":"sl","#text":"str. 89-103"},{"@xml:lang":"sl","#text":"številka:vol. 8"}],"dc:identifier":["ISSN:1581-8918","COBISSID:47286370","URN:URN:NBN:SI:doc-PFIHWKXQ"],"dc:language":"en","dc:publisher":[{"@xml:lang":"sl","#text":"Oddelek za anglistiko in amerikanistiko, Filozofska fakulteta, Univerza v Ljubljani"},{"@xml:lang":"sl","#text":"Slovensko društvo za angleške študije"}],"dc:subject":[{"@xml:lang":"sl","#text":"angleška književnost"},{"@xml:lang":"en","#text":"English literature"},{"@xml:lang":"sl","#text":"entropija"},{"@xml:lang":"en","#text":"entropy"},{"@xml:lang":"en","#text":"heterotopia"},{"@xml:lang":"sl","#text":"heterotopija"},{"@xml:lang":"en","#text":"Postmodernism"},{"@xml:lang":"sl","#text":"postmodernizem"},{"@xml:lang":"sl","#text":"prevrednotenje"},{"@xml:lang":"en","#text":"science fiction"},{"@xml:lang":"en","#text":"transvaluation"},{"@xml:lang":"en","#text":"utopia"},{"@xml:lang":"sl","#text":"utopija"},{"@xml:lang":"sl","#text":"znanstvena fantastika"}],"dcterms:temporal":{"@rdf:resource":"2004-2025"},"dc:title":{"@xml:lang":"sl","#text":"New wave science fiction and the exhaustion of the utopian/distopian dialectic|"},"dc:description":[{"@xml:lang":"sl","#text":"The paper explores the development of the utopian and dystopian literature in the experimental and prolific period of New Wave science fiction. The genre literature of the period chiefly expressed the dissolutions of the universe, society, and identity through its formal literary devices and subject-matter, thus making it easy to arrive at the conclusion that the many SF works of J. G. Ballard's post-apocalyptic narratives, for example, exhausted and bankrupted the utopian/dystopian dialectic. However, the article provides textual evidence from one of the most prominent authors of the New Wave and the theoretical basis to suggest the contrary, namely that the categories of utopia and dystopia had by that time reached a level of transformation unprecedented in the history of the genre. Furthermore, the paper explores the inherent qualities science fiction shares with utopian literature, and suggests that the dialogism of the science fiction novel, especially that of the New Wave, has brought about the revival of utopia and rediscovered its potential"},{"@xml:lang":"sl","#text":"Članek raziskuje razvoj utopične in distopične literature v eksperimentalnem in plodnem obdobju Novega vala v znanstveni fantastiki. Žanrska literatura tega obdobja je izrazito poudarjala razkroj realnosti, družbe in identitete preko formalnih literarnih sredstev in čiste vsebine, kar nas lahko brez težav privede do zaključka, da mnoga ZF dela, npr. J. G. Ballardove post-apokaliptične pripovedi, predstavljajo iztrošenje in propad utopične/distopične dialektike. V članku pa so predstavljeni teksti pomembnih avtorjev Novega vala in teoretične osnove, ki predlagajo nasprotno misel, namreč, da so kategorije utopije in distopije do takratnega obdobja dosegle stopnjo preobrazbe, neprecedenčno v zgodovini žanra. Nadalje, prispevek odkriva inherentne lastnosti, ki jih znanstvena fantastika deli z utopično literaturo in nakazuje, da je dialogizem znanstveno fantastičnega romana, še posebej iz obdobja Novega vala, prinesel preporod utopije in ponovno odkril njen potencial"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-PFIHWKXQ","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-PFIHWKXQ"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-PFIHWKXQ/3d0f2c08-9b57-4174-b0d1-027eaf9197d7/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta, Znanstvena založba"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-PFIHWKXQ/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-PFIHWKXQ"}}}}