<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-PBWLXMQW</identifier><date>2020</date><creator>Leko Šimić, Mirna</creator><creator>Pap, Ana</creator><relation>documents/doc/P/URN_NBN_SI_doc-PBWLXMQW_001.pdf</relation><relation>documents/doc/P/URN_NBN_SI_doc-PBWLXMQW_001.txt</relation><format format_type="issue">4</format><format format_type="volume">66</format><format format_type="type">article</format><format format_type="extent">str. 50-62</format><identifier identifier_type="ISSN">0547-3101</identifier><identifier identifier_type="COBISSID">52856323</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-PBWLXMQW</identifier><language>eng</language><publisher>Društvo ekonomistov Maribor</publisher><publisher>Ekonomski center Maribor</publisher><publisher>Ekonomsko-poslovna fakulteta</publisher><source>Naše gospodarstvo</source><rights>InC</rights><subject language_type_id="slv">gledališče</subject><subject language_type_id="slv">Hrvaška</subject><subject language_type_id="slv">kultura</subject><subject language_type_id="slv">trg</subject><subject language_type_id="slv">trženje</subject><title>Insights into classic theatre market segments</title></Record>