<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-PBIT1S99</identifier><date>1996</date><creator>Schaeffer, Pierre</creator><relation>documents/doc/P/URN_NBN_SI_doc-PBIT1S99_001.pdf</relation><relation>documents/doc/P/URN_NBN_SI_doc-PBIT1S99_001.txt</relation><format format_type="issue">178</format><format format_type="volume">24</format><format format_type="type">article</format><format format_type="extent">str. 175-200</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">16834397</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-PBIT1S99</identifier><language>slv</language><publisher>Študentska založba</publisher><source>Časopis za kritiko znanosti</source><rights>InC</rights><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">glasbena teorija</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">percepcija</subject><title>Razprava o glasbenih objektih</title></Record>