<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-PBAWX4KO</identifier><date>2014</date><creator>Krašovec, Primož</creator><relation>documents/doc/P/URN_NBN_SI_doc-PBAWX4KO_001.pdf</relation><relation>documents/doc/P/URN_NBN_SI_doc-PBAWX4KO_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 51</format><format format_type="extent">str. 72-73</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">282112256</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-PBAWX4KO</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">ameriški film</subject><subject language_type_id="slv">filmske kritike</subject><subject language_type_id="slv">Fruitvale Station</subject><subject language_type_id="slv">Postaja Fruitvale</subject><title>Ponoči so vsi črnci črni</title><title>Ryan Coogler: Postaja Fruitvale</title></Record>