<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-P42791R0</identifier><date>2014</date><creator>Komelj, Miklavž</creator><relation>documents/doc/P/URN_NBN_SI_doc-P42791R0_001.pdf</relation><relation>documents/doc/P/URN_NBN_SI_doc-P42791R0_001.txt</relation><format format_type="issue">2</format><format format_type="volume">8</format><format format_type="type">article</format><format format_type="extent">str. 149-177</format><identifier identifier_type="ISSN">1854-9632</identifier><identifier identifier_type="ISSN">2350-4218</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-P42791R0</identifier><language>slv</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Ars et humanitas</source><rights>InC</rights><subject language_type_id="slv">avtomatska pisava</subject><subject language_type_id="slv">Barnes</subject><subject language_type_id="slv">Barnes, Djuna</subject><subject language_type_id="slv">nadrealizem</subject><subject language_type_id="slv">neberljivost</subject><subject language_type_id="slv">Pessoa, Fernando</subject><subject language_type_id="slv">rokopisi</subject><subject language_type_id="eng">Surrealism</subject><title>Man che trema</title></Record>