282 KB58 KB200720252018Matajc, Vanesaštevilka:1letnik:12str. 224-243ISSN:1854-9632COBISSID_HOST:67435874URN:URN:NBN:SI:doc-OYEUI61KslZnanstvena založba Filozofske fakulteteArs et humanitas1. svetovna vojnacollective memoryGreat WarHemingway, ErnestIsonzo frontkolektivni spominliteratura in zgodovinaliterature and historynacionalna identitetanational identityNovak, AlojzijPölzer, HansPrežihov Vorancretorika prostorarhetoric of spaceSchalek, Alicesoška frontaKraji spomina na soško fronto v 1. svetovni vojni| nacionalna in čeznacionalna retorika obmejnega prostora v literarnih in polliterarnih besedilih|The article examines the Slovene-Italian border space in terms of the historicalspatial identity that was ascribed to it by the collective imagination of World War I and the Isonzo front. Its meaning was created by the collective memories of the national communities that were involved in the battles on the Isonzo front. The paper addresses the question of the memorial culturalisation of this space in light of New Historicism and the theory of semiotics, i.e. as interaction of spatial-rhetorical signs and verballinguistic semiotisation of these signs which was produced by literature, diaries and reports on the Isonzo front. The paper presents referential sites of memory (Redipuglia, San Michele, Doberdob, Oslavia) in view of the following texts: Doberdob, a novel written by Slovene literary author Prežihov Voranc, Austrian soldier Hans Pölzer's memories, Slovene catholic priest Alojzij Novak's diary, Austrian reporter Alice Schalek's report from the battlefield, and (as an aspect of an external observer) Ernest Hemingway novel A Farewell to Arms. These texts represent collective identities which endow this border space with the identitiy of the Isonzo front and give it additional meaning: a) historical: in the course of history meaning was produced in terms of national collective identities which refer also to this space; and b) in the contemporary trans-national collective memory meaning is produced through the humanist lens of the catastrophic character of WW I. Both of these aspects of collective memories are created in an interaction with the space of the Isonzo front and its verbal-textual semiotisations, whereby sites of memory of WW I create one of the central rhetorics of this spacePrispevek obravnava slovensko-italijanski obmejni prostor z vidika zgodovinskoprostorske identitete soške fronte, ki se mu je pripisala v kolektivnih imaginacijah I. svetovne vojne. To opomenitev ustvarjajo kolektivni spomini nacionalnih skupnosti, ki so se udeležile bojev na soški fronti. Prispevek obravnava spominsko kulturalizacijo tega prostora z vidikov novohistorizma in teorije semiotike: kot interakcijo prostorskoretoričnih znakov ter jezikovno-besedilnih opomenitev teh znakov, ki jo ustvarjajo književnost, dnevniki in reportaže o soški fronti. Prispevek predstavlja referenčne kraje spomina (Sredipolje, Sv. Mihael, Doberdob, Oslavje) skozi naslednja besedila: roman slovenskega pisatelja Prežihovega Voranca Doberdob, spomini avstrijskega vojaka Hansa Pölzerja, dnevnik slovenskega duhovnika Alojzija Novaka, reportaže avstrijske novinarke Alice Schalek ter (vidik zunanjega opazovalca) ameriški roman Ernesta Hemingwaya Zbogom orožje. Besedila reprezentirajo kolektivne identitete, ki obmejnemu prostoru podeljujejo identiteto soške fronte in mu pripisujejo dodatni smisel: a) zgodovinsko: z vidika nacionalnih kolektivnih identitet, ki se nanašajo tudi na ta prostor; in b) v sodobnem transnacionalnem kolektivnem spominu: s humanističnega vidika katastrofalnosti prve svetovne vojne. Oba kolektivnospominska vidika nastajata v interakciji prostora soške fronte in njegovih jezikovnobesedilnih opomenitev, skozi katero kraji spomina ustvarjajo eno bistvenih retorik tega prostoraTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZnanstvena založba Filozofske fakultete