669 KB37 KB199120252015Stanič, Katjaštevilka:23ISSN:0353-9660COBISSID:60197474URN:URN:NBN:SI:doc-OWC22KUZesZnanstvena založba Filozofske fakulteteVerba hispanicaakulturacijaAninir Guilitraro, Davidbikulturnostmapuška poezijaneologizmipoezija in politikaPalabras escritas al margen de la sociedad|In this article, based on my thesis entitled A medio camino de un mundo que se eleva, I discuss the role of words in poetry, as understood and interpreted by the Russian formalists and later the Marxists. I focus primarily on the parts of their professional literature which deal with the concept of language and the prospects for the creation of a special poetic language. Based on the writings of Slovenian theorists Rastko Močnik and Miklavž Komelj, I discuss avant-garde art and the political aspects of poetry. The core of the article is an analysis of the selected poems of the Mapuche poet David Aninir Guilitraro; where I discuss his use of words, neologisms and about why and how his poetry is political. I discuss the power of writing, in this case poetry, to (re)create new literary spaces: the domains of encounter, dialogue and culture. In this way, poetry is a political creation. In using words and language, the poet changes them, thus creating new cultural territories. The poet is not acculturated, but he is bi- or multi- cultural; in his poems, he relies on two or more languages, cultures, and thus opens the door to the creation of a new language; not homogeneous and sealed, but heterogeneous and human. This is (should be) at the same time the language of intercultural integrationV članku, ki temelji na avtoričinem diplomskem delu, naslovljenem Na pol poti sveta, ki vstaja, je govor o vlogi besede v poeziji, tako kot jo razumejo in razlagajo ruski formalisti in kasneje marksisti. Osredotoča se predvsem na mesta v njihovih strokovnih delih, ki razpravljajo o konceptu jezikovnega znaka in o možnostih za nastanek posebnega pesniškega jezika. Na podlagi zapisov slovenskih teoretikov Rastka Močnika in Miklavža Komelja avtorica piše o avantgardni umetnosti in političnem v poeziji. V osrednjem delu članka analizira poezijo mapuškega pesnika Davida Aninira Guilitrara; na podlagi izbranih verzov piše o besedi v njegovi poeziji, neologizmih ter o tem, zakaj in na kakšen način je njegova poezija politična. Razmišlja o moči pisave, v tem primeru poezije, da (ponovno) ustvarja nova literarna ozemlja - ozemlja srečevanj, dialoga in kulture. Na ta način je poezija politična tvorba. Pesnik s pomočjo besed in jezikov te spreminja in ustvarja nova kulturna ozemlja; ni akulturiran, temveč bi-, poli-kulturen. V pesmih se pesnik opira na dva ali več jezikov in kultur ter s tem odpira vrata nastajanju novega jezika; ne homogenega in hermetično zaprtega, temveč heterogenega, medčloveškega. To je (bi bil) obenem jezik medkulturnega povezovanjaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta