<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-OVPMRGEP</identifier><date>2009</date><creator>Jurca Tadel, Vesna</creator><relation>documents/doc/O/URN_NBN_SI_doc-OVPMRGEP_001.htm</relation><relation>documents/doc/O/URN_NBN_SI_doc-OVPMRGEP_001.pdf</relation><relation>documents/doc/O/URN_NBN_SI_doc-OVPMRGEP_001.txt</relation><format format_type="issue">11/12</format><format format_type="volume">73</format><format format_type="type">article</format><format format_type="extent">str. 1564-1572</format><identifier identifier_type="ISSN">0038-0482</identifier><identifier identifier_type="COBISSID">2919771</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-OVPMRGEP</identifier><language>slv</language><publisher>KUD Sodobnost International</publisher><source>Sodobnost (1963)</source><rights>InC</rights><subject language_type_id="slv">2009</subject><subject language_type_id="slv">gledališke kritike</subject><subject language_type_id="slv">gledališke predstave</subject><subject language_type_id="slv">slovensko gledališče</subject><title>Režiserski ekstremi</title></Record>