{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-OSVUHTWJ/4a3e212c-a5db-4953-83f9-a14f36580b49/PDF","dcterms:extent":"267 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-OSVUHTWJ/8f137cb2-bc2b-4b81-b06f-d6f566f9a0c9/TEXT","dcterms:extent":"59 KB"}],"edm:TimeSpan":{"@rdf:about":"1994-2024","edm:begin":{"@xml:lang":"en","#text":"1994"},"edm:end":{"@xml:lang":"en","#text":"2024"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-OSVUHTWJ","edm:isNextInSequence":{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:doc-PRVLLEH5"},"dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-TQH6JN7K"},{"@xml:lang":"sl","#text":"Javnost (Ljubljana)"}],"dcterms:issued":"2002","dc:creator":"Dudrah, Rajinder Kumar","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:9"},{"@xml:lang":"sl","#text":"str. 19-36"}],"dc:identifier":["ISSN:1318-3222","COBISSID:21107293","URN:URN:NBN:SI:doc-OSVUHTWJ"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Evropski inštitut za komuniciranje in kulturo"},"dc:subject":[{"@xml:lang":"sl","#text":"Birmingham"},{"@xml:lang":"sl","#text":"etnična identiteta"},{"@xml:lang":"sl","#text":"etnične skupine"},{"@xml:lang":"sl","#text":"identiteta"},{"@xml:lang":"sl","#text":"Indijci"},{"@xml:lang":"sl","#text":"indijski film"},{"@xml:lang":"sl","#text":"kinematografija"},{"@xml:lang":"sl","#text":"kulturna identiteta"},{"@xml:lang":"sl","#text":"množična kultura"},{"@xml:lang":"sl","#text":"Velika Britanija"},{"@rdf:resource":"http://www.wikidata.org/entity/Q862086"}],"dcterms:temporal":{"@rdf:resource":"1994-2024"},"dc:title":{"@xml:lang":"sl","#text":"Vilayati Bollywood| popular hindi cinema-going and diasporic South Asian identity in Birmingham|"},"dc:description":[{"@xml:lang":"sl","#text":"Drawing on theoretical developments in the studies of Black British diasporas,combining textual analysis with extended qualitative interviews, and focusing on the citizenry of British South Asians in Birmingham, this paper offers an account of the history of the emergence, fall, and rise again of Bollywod cinema-going in the city as a cultural and leisure activity. This article argues that the localised space of the Asian cinema in which Bollywood films are viewed and made sense of are useful to an understanding of the films' importance as texts and as an engagement with diasporic British South Asian social identities and geographies. As shall be demonstrated in the paper, Bollywood cinema-going in Birmingham, as in other parts of Britain, embodies notions of diasporic belonging and a remaking of post-war urban British landscapes that sustain and develop Black British public spheres"},{"@xml:lang":"sl","#text":"Članek predstavlja zgodovino vzpona, padca in ponovnega vzpona \"bollywodskega\"obiskovanja kina kot kulturne in prostočasne dejavnosti med južnoazijskimi britanskimi državljani v Birminghamu na temelju teoretskega proučevanja črnskih britanskih diaspor ter s povezovanjem analize besedil in kvalitiativnih intervjujev. Članek ugotavlja, da je lokalizirani prostor azijskega filma, v katerem se gledajo azijski filmi, koristen za razumevanje pomena filmov kot besedil in angažiranja diasporičnih britanskih južnoazijskih identitet in geografij. Obiskovanje bollywoodskih filmov v Birminghamu in drugih britanskih mestih krepi idejo diasporične pripadnosti in preoblikovanje britanskega povojnega mestnega življenja, ki je omogočilo oblikovanje britanske črnske javnosti. \"Bollywood\" je ime za filmsko produkcijo iz Mumbaja (nekdaj Bombay), ki dosega okrog dvesto filmov letno, ter njihovo distribucijo, podnanslavljanje in gledanje po vsem svetu"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-OSVUHTWJ","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-OSVUHTWJ"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-OSVUHTWJ/4a3e212c-a5db-4953-83f9-a14f36580b49/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Evropski inštitut za komuniciranje in kulturo - EURICOM"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-OSVUHTWJ/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-OSVUHTWJ"}}}}