<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-ORW8TRQN</identifier><date>2023</date><creator>Fenlon, Iain</creator><relation>documents/doc/O/URN_NBN_SI_doc-ORW8TRQN_001.pdf</relation><relation>documents/doc/O/URN_NBN_SI_doc-ORW8TRQN_001.txt</relation><format format_type="volume">19</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 35-50</format><identifier identifier_type="DOI">10.3986/dmd19.2.02</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">185874179</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-ORW8TRQN</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="slv">Anglija</subject><subject language_type_id="slv">prevare</subject><subject language_type_id="slv">Shipton</subject><subject language_type_id="slv">starinoslovje</subject><subject language_type_id="slv">zgodnji tiski</subject><subject language_type_id="slv">zgodovina glasbe</subject><title>Investigating the Shipton hoard</title></Record>