<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-OPRYMJ1E</identifier><date>2016</date><creator>Barbo, Matjaž</creator><relation>documents/doc/O/URN_NBN_SI_doc-OPRYMJ1E_001.pdf</relation><relation>documents/doc/O/URN_NBN_SI_doc-OPRYMJ1E_001.txt</relation><format format_type="issue">263</format><format format_type="volume">44</format><format format_type="type">article</format><format format_type="extent">str. 35-43</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">287546368</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-OPRYMJ1E</identifier><language>slv</language><publisher>Študentska organizacija Univerze v Ljubljani</publisher><source>Časopis za kritiko znanosti</source><rights>BY-NC-ND</rights><subject language_type_id="eng">aesthetics</subject><subject language_type_id="slv">estetika</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">hermenevtika</subject><subject language_type_id="eng">meaning</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">pomen</subject><title>Glasbeni pomen kot generator glasbenega užitka</title></Record>